整理/刘昶荣 制图/李晗

光英朗练

　　光彩闪耀于凝练明了的文字之间。初唐文学家陈子昂认为文字凝练明了即可使文章光彩闪耀，因此他极力反对过度铺陈和反复修饰。这与他推崇建安文学与正始之音，强调兴寄、风骨的观点是一致的，表明他倡导刚健明朗之美，反对绮靡纤弱的文风。

Concise and Clear Wording Makes Writings Shine

　　Chen Zi'ang, the early Tang Dynasty writer believed that concise and clear wording makes writings shine, and he strongly opposed excessive exposition and repeated ornamentation. This is in line with his advocacy of the prevailing literary style in the Jian'an era at the end of the Han Dynasty and the Zhengshi literary style of the final years of the State of Wei in the Three Kingdoms period. He put emphasis on expressing the theme and character of an article and he calls for a writing style whose beauty lies in its strength and clarity, as opposed to a style that was flamboyant and weak.

引例

　　士龙朗练，以识检乱，故能布采鲜净，敏于短篇。（刘勰《文心雕龙·才略》）（陆云文思清晰而文辞精练，用自己的识见来检视纷乱的事实与现象，因而能够鲜明干净地安排文字，擅长写作篇幅短小的文章。）

　　Lu Yun's writings were clear and concise, in which he used his knowledge to dissect disorganized facts and happenings. He thus wrote in a clear and lucid way, and he was good at writing short articles. (Liu Xie: The Literary Mind and the Carving of Dragons)